Throwback video of the day is from North London UK artist Lil Simz with one of her classic track called mandarin oranges Part II. The track mandarin Oranges part II is from Lil Simz 2014 mixtape called E.D.G.E mixtape which content 13 track and other singles such as The Hampton and Bars Simpson.
I came across this video from chaseGod.tv on YouTube about Malcolm X and his belief towards Christianity.Joseph Solomon talking in the video explains in full detail the misconception that Malcolm X thought and preached to his followers which he adopted and learnt from the religion of Nation Of Islam while he was in prison back in 1946.Click on
After releasing his last freestyle video, last month called Rudeboy he’s been on tour around the U.K as a guest appearance for Def Jam artist Young Sinatra AKA logic. Since the under pressure tour ended in the UK nick brewer as released a new freestyle rapping about where is at the moment in is point in life and
The track of the day his from Barney Artist with a jazz feel song called ‘Don’t know what to say’ featuring Nick Brewer.this song is from Barney Artist second mixtape called “The freestyle sessions part II” released back in 2012. The vibe of the track is very chilled and jazzy smooth feels to it.The storyline
I came across this new song from Jaden Smith this afternoon called ‘Offering’ on SoundCloud and it’s starting to grow on me very much. Its lyrical and instrumental content provides a setting, and as the listener you are able to grasp exactly what it is that he wants you to acknowledge in this track. In the
I really enjoyed this album from Logic since it was released back in November 13, 2015. As you listen to the album, you can tell that the content of his music has branched from many different influences from various artists such as Kanye West in productions and Drake in the use of flows. Although, you’re able
To start of the year 2016 here’s a new track from Joseph the artist called soul bliss featuring up and coming producer and singer Ryzz PiKholo . The instrumental is produced and is from freddie joachim latest album called This World .
Throwback video of the day is from North London UK artist Lil Simz with one of her classic track called mandarin oranges Part II. The track mandarin Oranges part II is from Lil Simz 2014 mixtape called E.D.G.E mixtape which content 13 track and other singles such as The Hampton and Bars Simpson.
I came across this video from chaseGod.tv on YouTube about Malcolm X and his belief towards Christianity.Joseph Solomon talking in the video explains in full detail the misconception that Malcolm X thought and preached to his followers which he adopted and learnt from the religion of Nation Of Islam while he was in prison back in 1946.Click on
After releasing his last freestyle video, last month called Rudeboy he’s been on tour around the U.K as a guest appearance for Def Jam artist Young Sinatra AKA logic. Since the under pressure tour ended in the UK nick brewer as released a new freestyle rapping about where is at the moment in is point in life and
The track of the day his from Barney Artist with a jazz feel song called ‘Don’t know what to say’ featuring Nick Brewer.this song is from Barney Artist second mixtape called “The freestyle sessions part II” released back in 2012. The vibe of the track is very chilled and jazzy smooth feels to it.The storyline
I came across this new song from Jaden Smith this afternoon called ‘Offering’ on SoundCloud and it’s starting to grow on me very much. Its lyrical and instrumental content provides a setting, and as the listener you are able to grasp exactly what it is that he wants you to acknowledge in this track. In the
I really enjoyed this album from Logic since it was released back in November 13, 2015. As you listen to the album, you can tell that the content of his music has branched from many different influences from various artists such as Kanye West in productions and Drake in the use of flows. Although, you’re able
To start of the year 2016 here’s a new track from Joseph the artist called soul bliss featuring up and coming producer and singer Ryzz PiKholo . The instrumental is produced and is from freddie joachim latest album called This World .
Kendrick Lamar’s “Reincarnated” serves as a chilling continuation of the “For Sale?” interlude from To Pimp a Butterfly, where Lucy (short for Lucifer) tempts Kendrick with the promise of wealth, fame, and power in exchange for his soul. In To Pimp a Butterfly, Kendrick wrestles with this proposition, but by the time we arrive at “Reincarnated,” the deal has already been sealed. Now fully under Lucy’s control, Kendrick embodies the consequences of his choice, and Lucy, as the narrator, reflects on his role in influencing musicians throughout history—including the two legendary artists referenced in the song.
What makes “Reincarnated” so sinister is how Lucy describes his manipulation of artists as a means to control the masses. He seduces musicians with promises of success, embedding himself in their art, lyrics, and influence. Through them, he shapes culture, shifts perspectives, and subtly distorts the truth for his own gain. Yet, Lucy’s loyalty is non-existent—once an artist has served their purpose, he discards them, leading to their downfall, whether through personal destruction, loss of authenticity, or even death. This tragic fate is framed as an inevitable part of the process, reinforcing the idea that many of music’s greatest figures have, in some way, fallen victim to Lucy’s grip.
This cycle of exploitation and destruction is where the song’s title, “Reincarnated,” takes on a deeper meaning. It suggests that Lucy never stops; his influence simply moves from one artist to the next, recycling souls and continuing the process indefinitely. In this sense, reincarnation isn’t about spiritual renewal—it’s about a parasitic force using artists as vessels, draining them, and then moving on to the next willing or unsuspecting host. The tragic pattern repeats, generation after generation, with Lucy always in control.
Kendrick’s storytelling in “Reincarnated” exposes a darker truth about the music industry and the price of fame. It questions whether success in the mainstream is truly self-made or if there’s always a hidden cost—one that has claimed many artists before and will continue to do so. By framing Lucy as a recurring force, Kendrick suggests that the music industry’s greatest tragedies aren’t isolated incidents, but rather, symptoms of a larger, ongoing cycle.
Ultimately, “Reincarnated” serves as both a cautionary tale and an exploration of power, control, and artistic integrity. It forces listeners to reconsider the true nature of fame and whether those at the top ever truly own their success—or if they, too, are just another soul in Lucy’s endless cycle of reincarnation.
Throwback video of the day is from North London UK artist Lil Simz with one of her classic track called mandarin oranges Part II. The track mandarin Oranges part II is from Lil Simz 2014 mixtape called E.D.G.E mixtape which content 13 track and other singles such as The Hampton and Bars Simpson.
I came across this video from chaseGod.tv on YouTube about Malcolm X and his belief towards Christianity.Joseph Solomon talking in the video explains in full detail the misconception that Malcolm X thought and preached to his followers which he adopted and learnt from the religion of Nation Of Islam while he was in prison back in 1946.Click on
After releasing his last freestyle video, last month called Rudeboy he’s been on tour around the U.K as a guest appearance for Def Jam artist Young Sinatra AKA logic. Since the under pressure tour ended in the UK nick brewer as released a new freestyle rapping about where is at the moment in is point in life and
The track of the day his from Barney Artist with a jazz feel song called ‘Don’t know what to say’ featuring Nick Brewer.this song is from Barney Artist second mixtape called “The freestyle sessions part II” released back in 2012. The vibe of the track is very chilled and jazzy smooth feels to it.The storyline
I came across this new song from Jaden Smith this afternoon called ‘Offering’ on SoundCloud and it’s starting to grow on me very much. Its lyrical and instrumental content provides a setting, and as the listener you are able to grasp exactly what it is that he wants you to acknowledge in this track. In the
I really enjoyed this album from Logic since it was released back in November 13, 2015. As you listen to the album, you can tell that the content of his music has branched from many different influences from various artists such as Kanye West in productions and Drake in the use of flows. Although, you’re able
To start of the year 2016 here’s a new track from Joseph the artist called soul bliss featuring up and coming producer and singer Ryzz PiKholo . The instrumental is produced and is from freddie joachim latest album called This World .
The video you’re describing seems to dive into the fascinating intersections between the psychological thriller Perfect Blue (1997) and the rapid advancements in technology, particularly artificial intelligence (AI), social media, and digital personas. Perfect Blue, directed by Satoshi Kon, has long been admired for its complex exploration of identity, reality, and mental disintegration. The film’s central narrative involves Mima, a pop idol who transitions into acting, only to find herself stalked by a mysterious figure, all while her sense of self starts to fracture due to the pressures of her public persona and increasingly invasive technology.
Here’s how the themes in Perfect Blue might align with today’s technology-driven world:
1. Blurring of Reality and Digital Persona
One of the central themes in Perfect Blue is the distortion of reality, where Mima cannot distinguish between her real life and her roles in her acting career, compounded by a stalker who manipulates her public image. This parallels modern experiences where social media and digital avatars allow people to craft and sometimes lose track of their online personas. The line between who we are in the digital world and who we are in reality has become increasingly porous, leading to issues of self-identity and privacy.
This can be seen in the rise of virtual influencers, avatars, and online personas that are sometimes more curated or idealized than our real-life selves.
2. Virtual Idols and AI
In the film, Mima’s experience mirrors the growing popularity of virtual idols, such as Hatsune Miku, who exists purely in the digital realm, yet holds an enormous following. Today, AI-generated music, artwork, and performances are gaining traction—creating stars and content that exist only in the virtual space, much like Mima’s alter-ego that she can’t fully control.
The idea of a “perfect” public image being managed by external forces (like PR agencies or AI algorithms) is one of the film’s core anxieties, echoing contemporary concerns about how AI tools can create hyper-realistic avatars or digital representations of celebrities that blur the lines between the authentic and the fabricated.
3. Stalking, Surveillance, and Privacy
The theme of being constantly watched, stalked, and monitored by a digital entity in Perfect Blue mirrors the surveillance culture of the digital age. The film foreshadows how social media platforms, AI-driven recommendation systems, and cameras can create an almost omnipresent surveillance environment. The impact of losing control over one’s image and personal privacy, while others (or AI) may interpret and manipulate it, resonates strongly today.
4. Deepfakes and Digital Manipulation
Perfect Blue deals with the exploitation of Mima’s image, both digitally and psychologically. Today, we have the rise of deepfakes—AI-generated content that can convincingly alter someone’s likeness, voice, or actions to create realistic but fake videos. The sense of losing control over one’s own image or identity, as seen in the film, feels eerily prescient of today’s growing concerns around digital manipulation, identity theft, and the use of deepfake technology for both malicious and creative purposes.
5. The Dangers of Digital Fame
Mima’s transition from being a pop idol to an actress is marked by the emotional toll of her public image. This aligns with the psychological struggles many influencers or people who find themselves thrust into the digital spotlight face today. The relentless demand for content and public approval, combined with the constant monitoring of one’s life, has been exacerbated by algorithms that prioritize engagement over well-being.
AI and social media algorithms exacerbate these pressures, potentially amplifying the negative mental health effects of fame and attention, especially when these platforms are designed to create a “perfect” version of one’s life.
6. Psychological Horror and the Impact of Technology
The mental unraveling that Mima experiences throughout the film as she loses grip on reality due to her manipulated digital self is a key element in Perfect Blue. It reflects the psychological toll technology can have on individuals, especially in a world where one’s public persona is increasingly dictated by algorithms and AI-driven platforms. The fear of losing one’s sense of self or being trapped in a reality manipulated by unseen forces is as relevant now as ever.
Conclusion: Is Perfect Blue More Relevant Now Than Ever?
Given the advancements in AI, social media, and virtual reality, Perfect Blue feels more prophetic than ever. The film’s exploration of identity, surveillance, and the tension between the real and the virtual speaks directly to contemporary anxieties about how technology shapes our sense of self and our interaction with the world around us. As we continue to grapple with the ethical and psychological consequences of AI, deepfakes, virtual idols, and digital fame, Perfect Blue offers an unsettling yet insightful reflection on the potential dangers of a hyper-mediated world.
In short, Satoshi Kon’s iconic anime continues to resonate with modern issues, making it a must-watch for anyone interested in the intersection of technology, identity, and human psychology.
Throwback video of the day is from North London UK artist Lil Simz with one of her classic track called mandarin oranges Part II. The track mandarin Oranges part II is from Lil Simz 2014 mixtape called E.D.G.E mixtape which content 13 track and other singles such as The Hampton and Bars Simpson.
I came across this video from chaseGod.tv on YouTube about Malcolm X and his belief towards Christianity.Joseph Solomon talking in the video explains in full detail the misconception that Malcolm X thought and preached to his followers which he adopted and learnt from the religion of Nation Of Islam while he was in prison back in 1946.Click on
After releasing his last freestyle video, last month called Rudeboy he’s been on tour around the U.K as a guest appearance for Def Jam artist Young Sinatra AKA logic. Since the under pressure tour ended in the UK nick brewer as released a new freestyle rapping about where is at the moment in is point in life and
The track of the day his from Barney Artist with a jazz feel song called ‘Don’t know what to say’ featuring Nick Brewer.this song is from Barney Artist second mixtape called “The freestyle sessions part II” released back in 2012. The vibe of the track is very chilled and jazzy smooth feels to it.The storyline
I came across this new song from Jaden Smith this afternoon called ‘Offering’ on SoundCloud and it’s starting to grow on me very much. Its lyrical and instrumental content provides a setting, and as the listener you are able to grasp exactly what it is that he wants you to acknowledge in this track. In the
I really enjoyed this album from Logic since it was released back in November 13, 2015. As you listen to the album, you can tell that the content of his music has branched from many different influences from various artists such as Kanye West in productions and Drake in the use of flows. Although, you’re able
To start of the year 2016 here’s a new track from Joseph the artist called soul bliss featuring up and coming producer and singer Ryzz PiKholo . The instrumental is produced and is from freddie joachim latest album called This World .
“Lights Please” by J. Cole, “ADHD” by Kendrick Lamar, and “Chicago Freestyle” by Drake share a distinct and cohesive ambience that resonates deeply with listeners, primarily because of their introspective and emotionally charged nature. These tracks explore themes of vulnerability, self-reflection, and personal struggles, using atmospheric production to set the mood.
In “Lights Please,” J. Cole crafts a narrative-driven song that juxtaposes the allure of physical intimacy with his deeper desire to convey meaningful messages. Its smooth, melodic beats and laid-back rhythm create an intimate atmosphere, making the listener feel like they’re eavesdropping on a personal moment.
Similarly, Kendrick Lamar’s “ADHD” captures a reflective and almost haunting vibe, using minimalist production with subtle percussive elements and ethereal synths. This allows Kendrick’s poignant lyrics about the challenges of addiction, youth culture, and societal pressures to take centre stage, drawing listeners into a contemplative space.
Drake’s “Chicago Freestyle” mirrors this ambience with its moody piano chords, soft vocals, and introspective delivery. The track blends elements of melancholy and nostalgia as Drake reflects on past relationships and his struggles with maintaining connections amidst his fame. The soulful hook, inspired by Eminem’s “Superman,” amplifies the song’s emotional depth.
All three songs share common traits—subtle yet evocative production, introspective storytelling, and a melancholic undertone—that create an atmosphere of vulnerability and intimacy. This combination makes them relatable and emotionally impactful, leaving a lasting impression on listeners.
Throwback video of the day is from North London UK artist Lil Simz with one of her classic track called mandarin oranges Part II. The track mandarin Oranges part II is from Lil Simz 2014 mixtape called E.D.G.E mixtape which content 13 track and other singles such as The Hampton and Bars Simpson.
I came across this video from chaseGod.tv on YouTube about Malcolm X and his belief towards Christianity.Joseph Solomon talking in the video explains in full detail the misconception that Malcolm X thought and preached to his followers which he adopted and learnt from the religion of Nation Of Islam while he was in prison back in 1946.Click on
After releasing his last freestyle video, last month called Rudeboy he’s been on tour around the U.K as a guest appearance for Def Jam artist Young Sinatra AKA logic. Since the under pressure tour ended in the UK nick brewer as released a new freestyle rapping about where is at the moment in is point in life and
The track of the day his from Barney Artist with a jazz feel song called ‘Don’t know what to say’ featuring Nick Brewer.this song is from Barney Artist second mixtape called “The freestyle sessions part II” released back in 2012. The vibe of the track is very chilled and jazzy smooth feels to it.The storyline
I came across this new song from Jaden Smith this afternoon called ‘Offering’ on SoundCloud and it’s starting to grow on me very much. Its lyrical and instrumental content provides a setting, and as the listener you are able to grasp exactly what it is that he wants you to acknowledge in this track. In the
I really enjoyed this album from Logic since it was released back in November 13, 2015. As you listen to the album, you can tell that the content of his music has branched from many different influences from various artists such as Kanye West in productions and Drake in the use of flows. Although, you’re able
To start of the year 2016 here’s a new track from Joseph the artist called soul bliss featuring up and coming producer and singer Ryzz PiKholo . The instrumental is produced and is from freddie joachim latest album called This World .
This poem reflects a powerful metaphor for life, where the speaker’s journey mirrors Bruce Lee’s Game of Death—a symbolic ascent to power and control, only to face a sudden, devastating fall. The “forbidden mansion” and the throne symbolize the speaker’s elevated status or achievements, acquired through perseverance, but also under constant threat from those seeking to take it away. The mansion’s levels represent challenges or stages of personal or external struggles.
The “yellow medallion” is a striking image, symbolizing both power and vulnerability, with its brightness likened to the sun. This may represent the speaker’s identity or achievements that are visible and radiant but also open to attack. The throne signifies the speaker’s position of power, which must be guarded from those who ascend through the mansion, symbolizing rivals or life’s challenges.
The poem takes a dramatic turn when a mysterious figure appears and, with a snap of fingers, overturns the speaker’s reality, flipping the mansion upside down and destroying what had been built. The fall from grace is inevitable, with everything the speaker has worked for “shattering to the ground.” The mysterious figure embodies fate, unforeseen events, or internal conflict—forces that easily dismantle what once seemed invincible.
The whispered line at the end, “I am satisfied watching your games and party die,” evokes a sense of bitter defeat, as if the speaker’s struggles and achievements were part of a larger, uncontrollable game. This final line hints at the futility of clinging to power and control, reminding the reader that even the most glorious positions can crumble at the hands of fate or time.