
Dissected Threads
Tread One : The Weight of Divine Glory: A Philosophical Reflection on Spiritual Burden.

I came across this new song from Jaden Smith this afternoon called ‘Offering’ on SoundCloud and it’s starting to grow on me very much. Its lyrical and instrumental content provides a setting, and as the listener you are able to grasp exactly what it is that he wants you to acknowledge in this track. In the…

I really enjoyed this album from Logic since it was released back in November 13, 2015. As you listen to the album, you can tell that the content of his music has branched from many different influences from various artists such as Kanye West in productions and Drake in the use of flows. Although, you’re able…

Dissected Threads
Tread One : The Weight of Divine Glory: A Philosophical Reflection on Spiritual Burden.

I came across this new song from Jaden Smith this afternoon called ‘Offering’ on SoundCloud and it’s starting to grow on me very much. Its lyrical and instrumental content provides a setting, and as the listener you are able to grasp exactly what it is that he wants you to acknowledge in this track. In the…

I really enjoyed this album from Logic since it was released back in November 13, 2015. As you listen to the album, you can tell that the content of his music has branched from many different influences from various artists such as Kanye West in productions and Drake in the use of flows. Although, you’re able…
The poem “Flannel and Cherubim Fabrics” resonates deeply with me, weaving a philosophical reflection on my struggle to define my authentic self against the soft, suffocating threads of cultural expectation. I feel culture stitching my soul with “soft and fuzzy fabrics” of flannel—warm, feminine, cozy—yet these threads leave my heart anxious, my true essence buried beneath their weight. This imagery mirrors Jean-Paul Sartre’s existentialist warnings about society’s power to drown my authenticity in conformity. The flannel’s comforting, patterned texture feels like Nietzsche’s herd morality, lulling me into a passive acceptance that stifles my individuality. My spirit, confined by these cultural patterns, aches for liberation, yearning to break free and express who I truly am.
In a moment of defiance, I snatch the sewing fabric from culture’s hands, reclaiming my agency in a way that echoes existentialist ideas of radical freedom. I refuse to be boxed by flannel’s cozy constraints, choosing instead to hand the fabric to cherubim—divine beings of wisdom and strength. In Christian tradition, cherubim bear the faces of eagle, lion, bull, and human, symbolizing vision, courage, resilience, and insight. By entrusting my soul to their hands, I seek a transformation beyond the reach of human culture, one guided by a higher, divine truth. This act reflects my longing to escape societal norms and discover a self that aligns with my deepest, most authentic desires.
The poem’s transformation unfolds as I cast off the “feminine and warm” identity culture imposed on me, embracing a “masculine and peculiar” self woven with “eagle, lion, and bull characteristic strands.” This shift feels like Carl Jung’s individuation, where I integrate powerful archetypes to become whole. The “masculine” isn’t about gender but about strength and assertiveness, while “peculiar” marks me as unique, akin to Kierkegaard’s knight of faith, standing apart through my connection to the divine. My new countenance—bold, visionary, steadfast—rejects flannel’s passive softness, embodying a dynamic, self-authored identity that stands firm against cultural pressures.

The metaphor of sewing runs through my reflection, symbolizing how my identity is crafted. Flannel, with its cozy yet limiting texture, represents the seductive comfort of fitting in, but it chokes my spirit. In contrast, the cherubim’s strands weave a vibrant, multifaceted self, echoing Plato’s view of the soul as a composite shaped by the forces I allow to guide it. When I give “free will” to the cherubim, I surrender to a divine creative power, trusting it to stitch a truer version of me. This surrender carries the mystical weight of Meister Eckhart’s teachings, where my soul seeks its divine source. My transformation feels like providence, a purposeful guidance reshaping my inner and outer self.
Ultimately, “Flannel and Cherubim Fabrics” challenges me to reject the “softness” and “cosy flannel texture” of culture, which Stoic philosophers like Marcus Aurelius might call a trap of complacency. By becoming a “masculine and peculiar man,” I embrace resilience and self-mastery, capable of withstanding societal norms. The poem weaves existentialist, Jungian, Stoic, and mystical insights, urging me to seize control of my soul’s fabric and trust a higher power to craft an authentic self. My journey is one of courage and transcendence, stitching an identity that’s uniquely mine—strong, visionary, and unyielding against culture’s comforting but confining patterns.

I came across this new song from Jaden Smith this afternoon called ‘Offering’ on SoundCloud and it’s starting to grow on me very much. Its lyrical and instrumental content provides a setting, and as the listener you are able to grasp exactly what it is that he wants you to acknowledge in this track. In the…

I really enjoyed this album from Logic since it was released back in November 13, 2015. As you listen to the album, you can tell that the content of his music has branched from many different influences from various artists such as Kanye West in productions and Drake in the use of flows. Although, you’re able…


Dissected Threads
Tread One :
Unveiling Authenticity: A Philosophical Analysis of ‘Flannel and Cherubim Fabrics’

I came across this new song from Jaden Smith this afternoon called ‘Offering’ on SoundCloud and it’s starting to grow on me very much. Its lyrical and instrumental content provides a setting, and as the listener you are able to grasp exactly what it is that he wants you to acknowledge in this track. In the…

I really enjoyed this album from Logic since it was released back in November 13, 2015. As you listen to the album, you can tell that the content of his music has branched from many different influences from various artists such as Kanye West in productions and Drake in the use of flows. Although, you’re able…
The poem Scorched …(Poem) is a visceral exploration of sin, redemption, and the transformative power of self-awareness and creative expression. Through its fiery imagery and intense emotional cadence, it grapples with the human condition—our propensity for error, the weight of guilt, and the hope for transcendence. Philosophically, it engages with existential questions of agency, suffering, and the search for meaning. Biblically, it resonates with themes of fallenness, divine judgment, and the redemptive potential of grace and perseverance. Below, I analyze the poem’s key elements and their philosophical and biblical implications.
1. The Scorched Pen: Writing as Confession and Catharsis
The opening line, “Each word scorches my pen,” sets a tone of intense, almost painful self-expression. The act of writing is depicted as both a burden and a necessity, burning the speaker as they confront their “wicked ways.” Philosophically, this aligns with existentialist thought, particularly Jean-Paul Sartre’s notion of radical freedom and responsibility. The speaker is compelled to face their choices and their consequences, with the pen serving as a tool of self-examination. Writing becomes an act of confronting the authentic self, no matter how painful.
Biblically, the scorched pen evokes the idea of confession as a purifying act. In Psalm 51:3, David laments, “For I know my transgressions, and my sin is always before me.” The speaker’s act of writing mirrors this acknowledgment of sin, a necessary step toward repentance. The “scorched” quality suggests divine judgment, as fire often symbolizes God’s purifying presence in scripture (e.g., Malachi 3:2–3, where God is likened to a refiner’s fire). Yet, the scorching is not merely destructive; it is transformative, enabling the speaker to process and potentially transcend their guilt.
2. Fallen Angels and Sinful Descent
The imagery of “fallen angels” descending “from heaven, seeking sinister ways to repent” introduces a complex interplay of rebellion and remorse. Philosophically, this evokes the tension between free will and moral failure. The fallen angels, traditionally symbols of pride and defiance (as in Lucifer’s rebellion), are here depicted as seeking repentance, suggesting a paradoxical desire for redemption even in their fallen state. This aligns with Albert Camus’ concept of the absurd—living in a state of contradiction between one’s desires (redemption) and reality (sinfulness). The angels’ “sinister” repentance implies a flawed or insincere attempt at atonement, reflecting the human struggle to overcome deeply ingrained flaws.
Biblically, the fallen angels recall the narrative of Satan and his followers cast out of heaven (Revelation 12:9). However, their attempt to “repent” introduces a twist, as scripture typically portrays fallen angels as irredeemable. This could symbolize the human soul, which, unlike angels, retains the capacity for repentance. The “sinister” nature of their repentance might reflect the deceptive self-justification warned against in Jeremiah 17:9: “The heart is deceitful above all things and beyond cure.” The speaker acknowledges their complicity in sin, yet their awareness hints at the possibility of genuine repentance, a hallmark of biblical salvation narratives.
3. The Oath as a Mark of Sin
The “oath tattooed on my face, formed like lightning” is a striking image of indelible guilt. The tattoo suggests a permanent mark, akin to the philosophical concept of the “thrownness” of existence (Heidegger’s Geworfenheit), where individuals are cast into circumstances they did not choose yet must navigate. The oath, “formed like lightning,” implies a sudden, divine, or self-imposed commitment that carries grave consequences. Its visibility on the face underscores the public nature of shame, resonating with existentialist themes of living authentically under the gaze of others.
Biblically, the tattooed oath recalls the mark of Cain (Genesis 4:15), a divine sign that both protects and condemns. Lightning, often associated with God’s power and judgment (Exodus 19:16), suggests that the oath is tied to a moment of divine or moral reckoning. The speaker’s “grimy and driven” pen, likened to a “scorcher,” indicates a fierce determination to confront this mark, paralleling the biblical call to wrestle with one’s sin. Romans 7:15–20, where Paul describes the struggle between the desire to do good and the reality of sin, resonates here—the speaker is caught in a cycle of guilt but driven to overcome it.
4. The Sandpit: Suffering and Despair
The consequence of the oath “drowns me into a sandpit, feeling frightened,” evoking a sense of entrapment and existential dread. Philosophically, the sandpit can be seen as a metaphor for angst—the paralyzing anxiety of confronting one’s freedom and limitations, as described by Kierkegaard. The speaker is overwhelmed, sinking under the weight of their choices, yet their fear suggests a heightened awareness of their predicament, a precursor to growth.
Biblically, the sandpit recalls Psalm 40:2, where David speaks of being lifted from a “slimy pit.” The imagery of drowning in sand evokes both physical and spiritual suffocation, akin to the consequences of sin described in Romans 6:23: “The wages of sin is death.” The speaker’s fear reflects the terror of divine judgment but also the human capacity for self-awareness, a prerequisite for seeking God’s mercy. The sandpit is both a place of despair and a crucible for transformation.
5. Rising as a Writing Titan: Redemption Through Passion
The poem concludes with a triumphant declaration: “But I know I will rise above it, and be writing titan, scorching the oath off my skin with passion.” This shift from despair to empowerment is philosophically significant, embodying Nietzsche’s concept of the Übermensch—the individual who creates meaning through sheer will and creativity. The speaker transforms their suffering into art, using passion to transcend their guilt. The “writing titan” suggests a godlike creative force, reclaiming agency over their narrative.
Biblically, this imagery aligns with the redemptive arc of scripture. The act of “scorching the oath off my skin” evokes the cleansing power of God’s grace, as seen in Isaiah 1:18: “Though your sins are like scarlet, they shall be as white as snow.” The speaker’s passion mirrors the zeal of the redeemed, who, through faith and perseverance, overcome their sinful nature (Revelation 3:21). The titan imagery, while rooted in Greek mythology, can be reconciled with biblical themes as a symbol…

I came across this new song from Jaden Smith this afternoon called ‘Offering’ on SoundCloud and it’s starting to grow on me very much. Its lyrical and instrumental content provides a setting, and as the listener you are able to grasp exactly what it is that he wants you to acknowledge in this track. In the…

I really enjoyed this album from Logic since it was released back in November 13, 2015. As you listen to the album, you can tell that the content of his music has branched from many different influences from various artists such as Kanye West in productions and Drake in the use of flows. Although, you’re able…
Dissected Threads
Tread One : Scorched Poem: Exploring Sin and Redemption Through Bible Themes and Passion…(Blog)
Thread Two : Scorched by The Penmanship And Sins (Dissect video) – LifeandTimelessart