If you heard the audio version of I”m A Pro by Nick Brewer featuring Shakka here’s he his a live acoustic version along side with Shakka.


The cinematic portrayal of Malèna, in Giuseppe Tornatore’s 2000 film Malèna, serves as a profound allegory for the human condition, where beauty becomes both a divine gift and a crucible of existential isolation. Malèna, a woman of striking physical allure, navigates a Sicilian town steeped in patriarchal desire and judgment, her aura radiating a spiritual…

The line—“My shine’s a guillotine, black diamonds gleam, / Time’s a corpse, no medics for the dream. / Custom death, I call the jeweller first, / Then the coroner—your fate’s been cursed. / My watch ticks doom, no mercy, no pause, / Your reflection kneels to my unholy laws”—is a haunting exploration of power, mortality,…

The philosophical underpinning of this vivid, violent poetic imagery lies in the tension between purity and corruption, a recurring theme in existential and moral philosophy. The speaker’s “barbaric antics” and katana-wielding poetry reflect a Nietzschean rejection of conventional morality, embracing a radical, destructive act to “cleanse” a world deemed inherently impure. This aligns with Nietzsche’s…

Hedonism, as articulated by thinkers like Epicurus or modern utilitarian’s, prioritizes pleasure as the ultimate good, often encouraging the pursuit of immediate sensory gratification. In the poem, hook-up and porn culture embody this philosophy, reducing sex to a “fleeting minute of plight” driven by “impulsive pleasures and desires.” This relentless chase for instant gratification is…

The poem Vultures depict the hook-up and porn culture as reducing sex to a “fleeting minute of plight” resonates deeply with both philosophical and biblical critiques of objectification and alienation. Philosophically, this aligns with existentialist perspectives, such as those of Jean-Paul Sartre and Martin Buber, who argue that objectification—treating others as mere objects for gratification—alienates…
If you heard the audio version of I”m A Pro by Nick Brewer featuring Shakka here’s he his a live acoustic version along side with Shakka.


The cinematic portrayal of Malèna, in Giuseppe Tornatore’s 2000 film Malèna, serves as a profound allegory for the human condition, where beauty becomes both a divine gift and a crucible of existential isolation. Malèna, a woman of striking physical allure, navigates a Sicilian town steeped in patriarchal desire and judgment, her aura radiating a spiritual…

The line—“My shine’s a guillotine, black diamonds gleam, / Time’s a corpse, no medics for the dream. / Custom death, I call the jeweller first, / Then the coroner—your fate’s been cursed. / My watch ticks doom, no mercy, no pause, / Your reflection kneels to my unholy laws”—is a haunting exploration of power, mortality,…

The philosophical underpinning of this vivid, violent poetic imagery lies in the tension between purity and corruption, a recurring theme in existential and moral philosophy. The speaker’s “barbaric antics” and katana-wielding poetry reflect a Nietzschean rejection of conventional morality, embracing a radical, destructive act to “cleanse” a world deemed inherently impure. This aligns with Nietzsche’s…

Hedonism, as articulated by thinkers like Epicurus or modern utilitarian’s, prioritizes pleasure as the ultimate good, often encouraging the pursuit of immediate sensory gratification. In the poem, hook-up and porn culture embody this philosophy, reducing sex to a “fleeting minute of plight” driven by “impulsive pleasures and desires.” This relentless chase for instant gratification is…

The poem Vultures depict the hook-up and porn culture as reducing sex to a “fleeting minute of plight” resonates deeply with both philosophical and biblical critiques of objectification and alienation. Philosophically, this aligns with existentialist perspectives, such as those of Jean-Paul Sartre and Martin Buber, who argue that objectification—treating others as mere objects for gratification—alienates…
This week I came across this album called Sinema by rapper Swoope. This is his second album from Swoope which came out on August 4, 2014. At the start of the album Swoope as a Kanye West influence at the beginning of the first track but as he’s own signature instrumental sounds and flows as you go trough the album. Swoope speaks on the issues of lust and relationship with a female called Mya which you hear her speak on left voice messages on Swoopes phone at the beginning and throughout the album.
Swoope’s, at war with himself, either to get back with Mya or forget about Mya and move on with his life and focus on his relationship with god which he speaks in detail on track’s called “Right Side” featuring singer Christon Gray, “Beauty and Beast” and “Before Goodnight“.
I Can relate to Swoope on the issues of lust and the “art of seduction” like J.Cole would say back on his born sinner album. To be in a relationship with someone just for the lustful pleasures is just the wrong way to go.Swoope’s gives to full picture on what’s like to face conscience speak on his experience dealing with someone that don’t understand your walk with god and facing the temptation’s of going back to is old ways even though he knows the consequence at the end.


The cinematic portrayal of Malèna, in Giuseppe Tornatore’s 2000 film Malèna, serves as a profound allegory for the human condition, where beauty becomes both a divine gift and a crucible of existential isolation. Malèna, a woman of striking physical allure, navigates a Sicilian town steeped in patriarchal desire and judgment, her aura radiating a spiritual…

The line—“My shine’s a guillotine, black diamonds gleam, / Time’s a corpse, no medics for the dream. / Custom death, I call the jeweller first, / Then the coroner—your fate’s been cursed. / My watch ticks doom, no mercy, no pause, / Your reflection kneels to my unholy laws”—is a haunting exploration of power, mortality,…

The philosophical underpinning of this vivid, violent poetic imagery lies in the tension between purity and corruption, a recurring theme in existential and moral philosophy. The speaker’s “barbaric antics” and katana-wielding poetry reflect a Nietzschean rejection of conventional morality, embracing a radical, destructive act to “cleanse” a world deemed inherently impure. This aligns with Nietzsche’s…

Hedonism, as articulated by thinkers like Epicurus or modern utilitarian’s, prioritizes pleasure as the ultimate good, often encouraging the pursuit of immediate sensory gratification. In the poem, hook-up and porn culture embody this philosophy, reducing sex to a “fleeting minute of plight” driven by “impulsive pleasures and desires.” This relentless chase for instant gratification is…

The poem Vultures depict the hook-up and porn culture as reducing sex to a “fleeting minute of plight” resonates deeply with both philosophical and biblical critiques of objectification and alienation. Philosophically, this aligns with existentialist perspectives, such as those of Jean-Paul Sartre and Martin Buber, who argue that objectification—treating others as mere objects for gratification—alienates…
A Classic Track From J.Cole’s Label Dreamville Recording Artist Omen called A brief moment.I love the sample on this song and the substance meaning behind the lyrics in this song.


The cinematic portrayal of Malèna, in Giuseppe Tornatore’s 2000 film Malèna, serves as a profound allegory for the human condition, where beauty becomes both a divine gift and a crucible of existential isolation. Malèna, a woman of striking physical allure, navigates a Sicilian town steeped in patriarchal desire and judgment, her aura radiating a spiritual…

The line—“My shine’s a guillotine, black diamonds gleam, / Time’s a corpse, no medics for the dream. / Custom death, I call the jeweller first, / Then the coroner—your fate’s been cursed. / My watch ticks doom, no mercy, no pause, / Your reflection kneels to my unholy laws”—is a haunting exploration of power, mortality,…

The philosophical underpinning of this vivid, violent poetic imagery lies in the tension between purity and corruption, a recurring theme in existential and moral philosophy. The speaker’s “barbaric antics” and katana-wielding poetry reflect a Nietzschean rejection of conventional morality, embracing a radical, destructive act to “cleanse” a world deemed inherently impure. This aligns with Nietzsche’s…

Hedonism, as articulated by thinkers like Epicurus or modern utilitarian’s, prioritizes pleasure as the ultimate good, often encouraging the pursuit of immediate sensory gratification. In the poem, hook-up and porn culture embody this philosophy, reducing sex to a “fleeting minute of plight” driven by “impulsive pleasures and desires.” This relentless chase for instant gratification is…

The poem Vultures depict the hook-up and porn culture as reducing sex to a “fleeting minute of plight” resonates deeply with both philosophical and biblical critiques of objectification and alienation. Philosophically, this aligns with existentialist perspectives, such as those of Jean-Paul Sartre and Martin Buber, who argue that objectification—treating others as mere objects for gratification—alienates…
Good to see Nick brewer back in the scene after while since his single came out back in 2015 called to Talk To Me which The song charted at #19 in the UK.
In this new track, he shares a lot of his thoughts over J. Coles instrumental called Neighbour’s from 4 your eyes only album. his mood and thoughts seem to point out that his frustrated with his music label and the music he has released so far under Island Records label.
He goes on to share his thoughts on how men view women in society as low worth and low value for men to take advantage for their own pleasures. But they wouldn’t stand it if they had a someone talking bad about their sister or close female friend which would make them hypocrites.
I really liked that section of the song which a lot of us men take on and reflect on how we view woman and more.
