Hedonism, as articulated by thinkers like Epicurus or modern utilitarian’s, prioritizes pleasure as the ultimate good, often encouraging the pursuit of immediate sensory gratification. In the poem, hook-up and porn culture embody this philosophy, reducing sex to a “fleeting minute of plight” driven by “impulsive pleasures and desires.” This relentless chase for instant gratification is
The poem Vultures depict the hook-up and porn culture as reducing sex to a “fleeting minute of plight” resonates deeply with both philosophical and biblical critiques of objectification and alienation. Philosophically, this aligns with existentialist perspectives, such as those of Jean-Paul Sartre and Martin Buber, who argue that objectification—treating others as mere objects for gratification—alienates
The concept of “broken soul ties” in the poem resonates with Martin Buber’s I-Thou philosophy, which champions authentic, mutual relationships where individuals encounter each other as sacred subjects. When soul ties break, it signals a collapse of this I-Thou dynamic, reducing others to mere objects (I-It), fostering isolation and distrust. This erosion of trust, as
From an existentialist perspective, the “perfect cycle of lust” encapsulates humanity’s entanglement with inauthentic desires, a concept deeply explored by philosopher Jean-Paul Sartre. Lust, as depicted in the poem, emerges as a repetitive and ultimately hollow pursuit that diverts individuals from a meaningful existence. Rather than fostering genuine connection or love, it ensnares the speaker
I’m constantly inspired by Daniel 1:20, where one man’s wisdom shone ten times brighter than his peers, as I strive to grow 10x better every single day. This isn’t just about sharpening my skills or building mental resilience—it’s about carving my own path to personal growth and self-discovery. Is it wrong, as Sade might sing,
The First Tread From “Behind These Versace Glasses” (Poem)” . Becoming the Barbaric King: A Poem of Prophecy, Guilt, and 2 Kings 8:13 (Poem)… I sit with my poem, its words like scars I can’t ignore, trying to understand how I became the man I am. Writing this poem about prophecy and transformation felt like
Hedonism, as articulated by thinkers like Epicurus or modern utilitarian’s, prioritizes pleasure as the ultimate good, often encouraging the pursuit of immediate sensory gratification. In the poem, hook-up and porn culture embody this philosophy, reducing sex to a “fleeting minute of plight” driven by “impulsive pleasures and desires.” This relentless chase for instant gratification is
The poem Vultures depict the hook-up and porn culture as reducing sex to a “fleeting minute of plight” resonates deeply with both philosophical and biblical critiques of objectification and alienation. Philosophically, this aligns with existentialist perspectives, such as those of Jean-Paul Sartre and Martin Buber, who argue that objectification—treating others as mere objects for gratification—alienates
The concept of “broken soul ties” in the poem resonates with Martin Buber’s I-Thou philosophy, which champions authentic, mutual relationships where individuals encounter each other as sacred subjects. When soul ties break, it signals a collapse of this I-Thou dynamic, reducing others to mere objects (I-It), fostering isolation and distrust. This erosion of trust, as
From an existentialist perspective, the “perfect cycle of lust” encapsulates humanity’s entanglement with inauthentic desires, a concept deeply explored by philosopher Jean-Paul Sartre. Lust, as depicted in the poem, emerges as a repetitive and ultimately hollow pursuit that diverts individuals from a meaningful existence. Rather than fostering genuine connection or love, it ensnares the speaker
I’m constantly inspired by Daniel 1:20, where one man’s wisdom shone ten times brighter than his peers, as I strive to grow 10x better every single day. This isn’t just about sharpening my skills or building mental resilience—it’s about carving my own path to personal growth and self-discovery. Is it wrong, as Sade might sing,
The First Tread From “Behind These Versace Glasses” (Poem)” . Becoming the Barbaric King: A Poem of Prophecy, Guilt, and 2 Kings 8:13 (Poem)… I sit with my poem, its words like scars I can’t ignore, trying to understand how I became the man I am. Writing this poem about prophecy and transformation felt like
Kendrick Lamar’s “Reincarnated” serves as a chilling continuation of the “For Sale?” interlude from To Pimp a Butterfly, where Lucy (short for Lucifer) tempts Kendrick with the promise of wealth, fame, and power in exchange for his soul. In To Pimp a Butterfly, Kendrick wrestles with this proposition, but by the time we arrive at “Reincarnated,” the deal has already been sealed. Now fully under Lucy’s control, Kendrick embodies the consequences of his choice, and Lucy, as the narrator, reflects on his role in influencing musicians throughout history—including the two legendary artists referenced in the song.
What makes “Reincarnated” so sinister is how Lucy describes his manipulation of artists as a means to control the masses. He seduces musicians with promises of success, embedding himself in their art, lyrics, and influence. Through them, he shapes culture, shifts perspectives, and subtly distorts the truth for his own gain. Yet, Lucy’s loyalty is non-existent—once an artist has served their purpose, he discards them, leading to their downfall, whether through personal destruction, loss of authenticity, or even death. This tragic fate is framed as an inevitable part of the process, reinforcing the idea that many of music’s greatest figures have, in some way, fallen victim to Lucy’s grip.
This cycle of exploitation and destruction is where the song’s title, “Reincarnated,” takes on a deeper meaning. It suggests that Lucy never stops; his influence simply moves from one artist to the next, recycling souls and continuing the process indefinitely. In this sense, reincarnation isn’t about spiritual renewal—it’s about a parasitic force using artists as vessels, draining them, and then moving on to the next willing or unsuspecting host. The tragic pattern repeats, generation after generation, with Lucy always in control.
Kendrick’s storytelling in “Reincarnated” exposes a darker truth about the music industry and the price of fame. It questions whether success in the mainstream is truly self-made or if there’s always a hidden cost—one that has claimed many artists before and will continue to do so. By framing Lucy as a recurring force, Kendrick suggests that the music industry’s greatest tragedies aren’t isolated incidents, but rather, symptoms of a larger, ongoing cycle.
Ultimately, “Reincarnated” serves as both a cautionary tale and an exploration of power, control, and artistic integrity. It forces listeners to reconsider the true nature of fame and whether those at the top ever truly own their success—or if they, too, are just another soul in Lucy’s endless cycle of reincarnation.
Hedonism, as articulated by thinkers like Epicurus or modern utilitarian’s, prioritizes pleasure as the ultimate good, often encouraging the pursuit of immediate sensory gratification. In the poem, hook-up and porn culture embody this philosophy, reducing sex to a “fleeting minute of plight” driven by “impulsive pleasures and desires.” This relentless chase for instant gratification is
The poem Vultures depict the hook-up and porn culture as reducing sex to a “fleeting minute of plight” resonates deeply with both philosophical and biblical critiques of objectification and alienation. Philosophically, this aligns with existentialist perspectives, such as those of Jean-Paul Sartre and Martin Buber, who argue that objectification—treating others as mere objects for gratification—alienates
The concept of “broken soul ties” in the poem resonates with Martin Buber’s I-Thou philosophy, which champions authentic, mutual relationships where individuals encounter each other as sacred subjects. When soul ties break, it signals a collapse of this I-Thou dynamic, reducing others to mere objects (I-It), fostering isolation and distrust. This erosion of trust, as
From an existentialist perspective, the “perfect cycle of lust” encapsulates humanity’s entanglement with inauthentic desires, a concept deeply explored by philosopher Jean-Paul Sartre. Lust, as depicted in the poem, emerges as a repetitive and ultimately hollow pursuit that diverts individuals from a meaningful existence. Rather than fostering genuine connection or love, it ensnares the speaker
I’m constantly inspired by Daniel 1:20, where one man’s wisdom shone ten times brighter than his peers, as I strive to grow 10x better every single day. This isn’t just about sharpening my skills or building mental resilience—it’s about carving my own path to personal growth and self-discovery. Is it wrong, as Sade might sing,
The First Tread From “Behind These Versace Glasses” (Poem)” . Becoming the Barbaric King: A Poem of Prophecy, Guilt, and 2 Kings 8:13 (Poem)… I sit with my poem, its words like scars I can’t ignore, trying to understand how I became the man I am. Writing this poem about prophecy and transformation felt like
This piece is a deep, introspective exploration of survival, street life, and self-awareness, delivered through poetic lyricism. It intertwines personal reflection with a raw depiction of the environment the speaker has navigated. The conversational opening sets a laid-back but reflective tone, as if the speaker is both recounting and analyzing past experiences in real time. The narrative weaves through themes of crime, struggle, and the psychology of individuals caught in the cycle of the streets, blending vivid imagery with philosophical musings.
The speaker highlights the harsh realities of life, referencing addiction, crime, and societal constraints while maintaining a sense of wisdom and detachment. Metaphors like “ducking from Bruce Wayne” and “declaring war on the deck like they The Joker” portray the chaos and unpredictability of survival, while allusions to figures like Donatello and religious references add layers of intelligence and cultural depth. There’s a contrast between material ambition, spiritual awakening, and the knowledge gained through hardship. The message becomes one of understanding the game while learning to navigate it wisely—staying in one’s lane, recognizing deception, and using wisdom as armour. The piece ultimately reflects on the power of words, both as a weapon and a tool for survival, reinforcing the idea that knowledge, faith, and self-awareness are what separate the wise from the lost.
Hedonism, as articulated by thinkers like Epicurus or modern utilitarian’s, prioritizes pleasure as the ultimate good, often encouraging the pursuit of immediate sensory gratification. In the poem, hook-up and porn culture embody this philosophy, reducing sex to a “fleeting minute of plight” driven by “impulsive pleasures and desires.” This relentless chase for instant gratification is
The poem Vultures depict the hook-up and porn culture as reducing sex to a “fleeting minute of plight” resonates deeply with both philosophical and biblical critiques of objectification and alienation. Philosophically, this aligns with existentialist perspectives, such as those of Jean-Paul Sartre and Martin Buber, who argue that objectification—treating others as mere objects for gratification—alienates
The concept of “broken soul ties” in the poem resonates with Martin Buber’s I-Thou philosophy, which champions authentic, mutual relationships where individuals encounter each other as sacred subjects. When soul ties break, it signals a collapse of this I-Thou dynamic, reducing others to mere objects (I-It), fostering isolation and distrust. This erosion of trust, as
From an existentialist perspective, the “perfect cycle of lust” encapsulates humanity’s entanglement with inauthentic desires, a concept deeply explored by philosopher Jean-Paul Sartre. Lust, as depicted in the poem, emerges as a repetitive and ultimately hollow pursuit that diverts individuals from a meaningful existence. Rather than fostering genuine connection or love, it ensnares the speaker
I’m constantly inspired by Daniel 1:20, where one man’s wisdom shone ten times brighter than his peers, as I strive to grow 10x better every single day. This isn’t just about sharpening my skills or building mental resilience—it’s about carving my own path to personal growth and self-discovery. Is it wrong, as Sade might sing,
The First Tread From “Behind These Versace Glasses” (Poem)” . Becoming the Barbaric King: A Poem of Prophecy, Guilt, and 2 Kings 8:13 (Poem)… I sit with my poem, its words like scars I can’t ignore, trying to understand how I became the man I am. Writing this poem about prophecy and transformation felt like
Your piece presents a deeply philosophical and almost mythological perspective on love, shifting it from a romantic ideal to a battlefield of power, control, and desire. At its core, this narrative challenges the traditional notion of love as a force of unity and mutual fulfilment, instead framing it as an illusion—one designed to deceive, weaken, and ultimately enslave those who surrender to it. The rejection of Valentine’s Day is not just a rejection of romance, but of the entire societal construct that glorifies love as something pure and unconditional. Instead, the speaker sees love as a force that entraps, wounds, and demands submission, and they choose to resist it by redefining their relationship with passion and connection.
The use of mythological and cinematic imagery enhances the depth of this philosophy. The army of cupids, traditionally symbols of love, are reimagined as agents of control, serving not to unite but to awaken desire in others while shielding the speaker from its consuming fire. The Medusa reference speaks to betrayal, to past experiences that have hardened the speaker’s heart, turning them into someone who no longer seeks love but instead wields it as a tool. Yet, despite this transformation, there is no sense of victimhood—only power. The comparison to Sylvester Stallone, a figure synonymous with resilience and battle, reinforces the idea that the speaker refuses to be broken. Instead of being a passive participant in the game of love, they become the hunter, the lion prowling in the jungle of desire, understanding that love is not about surrender but about control. This philosophy is both dark and empowering, offering a perspective where love is not a sanctuary but a battlefield where only the strongest endure.
Hedonism, as articulated by thinkers like Epicurus or modern utilitarian’s, prioritizes pleasure as the ultimate good, often encouraging the pursuit of immediate sensory gratification. In the poem, hook-up and porn culture embody this philosophy, reducing sex to a “fleeting minute of plight” driven by “impulsive pleasures and desires.” This relentless chase for instant gratification is
The poem Vultures depict the hook-up and porn culture as reducing sex to a “fleeting minute of plight” resonates deeply with both philosophical and biblical critiques of objectification and alienation. Philosophically, this aligns with existentialist perspectives, such as those of Jean-Paul Sartre and Martin Buber, who argue that objectification—treating others as mere objects for gratification—alienates
The concept of “broken soul ties” in the poem resonates with Martin Buber’s I-Thou philosophy, which champions authentic, mutual relationships where individuals encounter each other as sacred subjects. When soul ties break, it signals a collapse of this I-Thou dynamic, reducing others to mere objects (I-It), fostering isolation and distrust. This erosion of trust, as
From an existentialist perspective, the “perfect cycle of lust” encapsulates humanity’s entanglement with inauthentic desires, a concept deeply explored by philosopher Jean-Paul Sartre. Lust, as depicted in the poem, emerges as a repetitive and ultimately hollow pursuit that diverts individuals from a meaningful existence. Rather than fostering genuine connection or love, it ensnares the speaker
I’m constantly inspired by Daniel 1:20, where one man’s wisdom shone ten times brighter than his peers, as I strive to grow 10x better every single day. This isn’t just about sharpening my skills or building mental resilience—it’s about carving my own path to personal growth and self-discovery. Is it wrong, as Sade might sing,
The First Tread From “Behind These Versace Glasses” (Poem)” . Becoming the Barbaric King: A Poem of Prophecy, Guilt, and 2 Kings 8:13 (Poem)… I sit with my poem, its words like scars I can’t ignore, trying to understand how I became the man I am. Writing this poem about prophecy and transformation felt like
The passage you’ve shared explores a moment of intense inner conflict, framed through a personal decision that carries significant moral weight. The speaker is confronted with temptation, and in this moment, they’re tasked with choosing between two paths, represented by the biblical figures of Joseph and Amnon.
Joseph, known for his righteousness and self-control in the face of temptation (especially with Potiphar’s wife), represents the choice of restraint and staying true to one’s principles. Amnon, on the other hand, symbolizes giving in to desires without regard for consequences, and his story ultimately leads to ruin and death. The speaker seems to be at a crossroads, struggling with the tension between immediate gratification and the long-term consequences of their choices.
The imagery, especially of the woman in red lingerie, adds a sensual layer, highlighting the stakes of the decision. It’s more than just a simple moment; it’s a test of character. The metaphor of the woman offering herself as “a pot of gold” implies an allure of immense value, which makes the temptation all the more potent. The speaker’s reference to “touch my body” suggests not only physical desire but perhaps an emotional or spiritual vulnerability being offered, and it seems to push the speaker toward a choice that could alter the course of their life.
In this scenario, the notion of peace is juxtaposed with desire—he has vowed no woman will disturb the peace of his home, but here, the peace is threatened by both the external temptation and his internal struggle. The knock on the door is almost like fate itself calling to him, forcing him to confront the decision he has been avoiding.
It’s a rich, layered moment that blends themes of temptation, identity, morality, and consequence. Do you think