The Fifth Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Ignorance on Parade” “Palestine or Israel? None of thee of above, both governments are controlled opposition and isn’t hard to tell.” The question echoes everywhere—choose a side, pick your flag: Palestine or Israel? It’s a snare, a trap disguised as a choice,
The Third Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Those Painting the deceptive imagery From Behind the scene” “The deceptive art been displayed are painted by those with more money than Bill Gates behind the scenes painting narratives causing chaos and disarray.” Step back from the canvas of today’s turmoil—the Israel-Palestine
Soul Divided: James 1:8 on Israel-Palestine War The Second Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “spiritual division” Everyone around me are conflicted and torn apart between loving and hating the deceptive art displaying two nations going to war for a piece of land, they religiously and historically adore.” The air
The First Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Deceptive Art Unveiled: Ephesians 6:12 Explained” These current world events resemble a fine deceptive art on display.” Step into the gallery of today’s chaos—nations clashing, headlines screaming—and you’ll see a spectacle unfold. What we witness in the Israel-Palestine conflict, a struggle etched
Poem Dissected Threads Thread Thread 1 :Deceptive Art Unveiled : What Does Ephesians 6:12 Mean In Israel-Palestine Conflict ? Thread 2 : Deceptive Art Unveiled : Souls Divided over Israel – Palestine Thread 3 : Deceptive Art Unveiled : Those Painting the deceptive imagery From Behind the scene Thread 4 : Deceptive Art Unveiled :Ignorance On Parade Thread 5
The fourth Tread from “She Had To Go” (Poem):“The Triumph of the Few” Only a few men escaped her seductive barbarity.” The words hang heavy, a quiet monument to a victory so rare it borders on myth. Escape from her—lust draped in silk, her pulchritude a deadly snare—wasn’t a gift handed to the masses. It
The fourth Tread from “She Had To Go” (Poem):“The Taste of Memory” “Her blood touches my lips, reminiscing on the time when lust had its grip on me.” The slaughter was done, the blade of will had struck, and yet victory didn’t wipe the slate clean. Even in triumph, the residue lingers—a faint smear of
Description The Third Tread from “Had to Let Go” (Poem):“The Slaughter of Temptation” “I slaughtered lust in its flesh before it could seduce me.” The words cut as sharply as the act they describe—a visceral, deliberate strike against a force that once held me captive. There came a moment of reckoning, a crossroads where the
Description The Second Tread from “Had to Let Go” (Poem):“The Stain of Desire” All the bloodstains on me came from lustful desires in human form.” These words linger like an echo from a battlefield I never chose but couldn’t avoid. The marks I carry aren’t from battles with others—no swords or fists left these scars.
Description The First Tread from “Had to Let Go” (Poem):“Philosophy of Trials” Life is not a gentle stream—it’s a forge, a crucible where the raw, unshaped essence of who we are is thrust into the flames. The trials and tribulations I’ve faced refined my soul like iron, stripping away the brittle edges and forging something
Even though the image of Jesus commonly portrayed in the Western world is historically inaccurate, mockery only carries power when it is directed at the true God—the One who holds authority over the world and the universe. Wearing that specific figure around the neck is not random; it targets the real authority behind the symbol, not merely the image itself.
The core idea here is that symbols transcend their physical or visual form. In semiotics (the study of signs and symbols), a symbol like the cross or an image of Jesus isn’t just an object—it’s a signifier pointing to a deeper signified reality. For Christians, the “true God” referenced is the triune God of the Bible: Father, Son (Jesus as the incarnate Word), and Holy Spirit, who is omnipotent and sovereign over creation (as described in passages like Psalm 115:3 or Colossians 1:16-17).
This hinges on a theological assertion: mockery has no inherent power unless it confronts something real and authoritative. In Christian thought, false gods or idols are powerless (e.g., Isaiah 44:9-20 mocks wooden idols as lifeless), so ridiculing them is futile—like punching a shadow. But targeting the “true God” (Yahweh, as revealed in Jesus) invites real consequences because He is the ultimate reality, not a human invention.
The Fifth Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Ignorance on Parade” “Palestine or Israel? None of thee of above, both governments are controlled opposition and isn’t hard to tell.” The question echoes everywhere—choose a side, pick your flag: Palestine or Israel? It’s a snare, a trap disguised as a choice,
The Third Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Those Painting the deceptive imagery From Behind the scene” “The deceptive art been displayed are painted by those with more money than Bill Gates behind the scenes painting narratives causing chaos and disarray.” Step back from the canvas of today’s turmoil—the Israel-Palestine
Soul Divided: James 1:8 on Israel-Palestine War The Second Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “spiritual division” Everyone around me are conflicted and torn apart between loving and hating the deceptive art displaying two nations going to war for a piece of land, they religiously and historically adore.” The air
The First Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Deceptive Art Unveiled: Ephesians 6:12 Explained” These current world events resemble a fine deceptive art on display.” Step into the gallery of today’s chaos—nations clashing, headlines screaming—and you’ll see a spectacle unfold. What we witness in the Israel-Palestine conflict, a struggle etched
Poem Dissected Threads Thread Thread 1 :Deceptive Art Unveiled : What Does Ephesians 6:12 Mean In Israel-Palestine Conflict ? Thread 2 : Deceptive Art Unveiled : Souls Divided over Israel – Palestine Thread 3 : Deceptive Art Unveiled : Those Painting the deceptive imagery From Behind the scene Thread 4 : Deceptive Art Unveiled :Ignorance On Parade Thread 5
The fourth Tread from “She Had To Go” (Poem):“The Triumph of the Few” Only a few men escaped her seductive barbarity.” The words hang heavy, a quiet monument to a victory so rare it borders on myth. Escape from her—lust draped in silk, her pulchritude a deadly snare—wasn’t a gift handed to the masses. It
The fourth Tread from “She Had To Go” (Poem):“The Taste of Memory” “Her blood touches my lips, reminiscing on the time when lust had its grip on me.” The slaughter was done, the blade of will had struck, and yet victory didn’t wipe the slate clean. Even in triumph, the residue lingers—a faint smear of
Description The Third Tread from “Had to Let Go” (Poem):“The Slaughter of Temptation” “I slaughtered lust in its flesh before it could seduce me.” The words cut as sharply as the act they describe—a visceral, deliberate strike against a force that once held me captive. There came a moment of reckoning, a crossroads where the
Description The Second Tread from “Had to Let Go” (Poem):“The Stain of Desire” All the bloodstains on me came from lustful desires in human form.” These words linger like an echo from a battlefield I never chose but couldn’t avoid. The marks I carry aren’t from battles with others—no swords or fists left these scars.
Description The First Tread from “Had to Let Go” (Poem):“Philosophy of Trials” Life is not a gentle stream—it’s a forge, a crucible where the raw, unshaped essence of who we are is thrust into the flames. The trials and tribulations I’ve faced refined my soul like iron, stripping away the brittle edges and forging something
The Fifth Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Ignorance on Parade” “Palestine or Israel? None of thee of above, both governments are controlled opposition and isn’t hard to tell.” The question echoes everywhere—choose a side, pick your flag: Palestine or Israel? It’s a snare, a trap disguised as a choice,
The Third Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Those Painting the deceptive imagery From Behind the scene” “The deceptive art been displayed are painted by those with more money than Bill Gates behind the scenes painting narratives causing chaos and disarray.” Step back from the canvas of today’s turmoil—the Israel-Palestine
Soul Divided: James 1:8 on Israel-Palestine War The Second Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “spiritual division” Everyone around me are conflicted and torn apart between loving and hating the deceptive art displaying two nations going to war for a piece of land, they religiously and historically adore.” The air
The First Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Deceptive Art Unveiled: Ephesians 6:12 Explained” These current world events resemble a fine deceptive art on display.” Step into the gallery of today’s chaos—nations clashing, headlines screaming—and you’ll see a spectacle unfold. What we witness in the Israel-Palestine conflict, a struggle etched
Poem Dissected Threads Thread Thread 1 :Deceptive Art Unveiled : What Does Ephesians 6:12 Mean In Israel-Palestine Conflict ? Thread 2 : Deceptive Art Unveiled : Souls Divided over Israel – Palestine Thread 3 : Deceptive Art Unveiled : Those Painting the deceptive imagery From Behind the scene Thread 4 : Deceptive Art Unveiled :Ignorance On Parade Thread 5
The fourth Tread from “She Had To Go” (Poem):“The Triumph of the Few” Only a few men escaped her seductive barbarity.” The words hang heavy, a quiet monument to a victory so rare it borders on myth. Escape from her—lust draped in silk, her pulchritude a deadly snare—wasn’t a gift handed to the masses. It
The fourth Tread from “She Had To Go” (Poem):“The Taste of Memory” “Her blood touches my lips, reminiscing on the time when lust had its grip on me.” The slaughter was done, the blade of will had struck, and yet victory didn’t wipe the slate clean. Even in triumph, the residue lingers—a faint smear of
Description The Third Tread from “Had to Let Go” (Poem):“The Slaughter of Temptation” “I slaughtered lust in its flesh before it could seduce me.” The words cut as sharply as the act they describe—a visceral, deliberate strike against a force that once held me captive. There came a moment of reckoning, a crossroads where the
Description The Second Tread from “Had to Let Go” (Poem):“The Stain of Desire” All the bloodstains on me came from lustful desires in human form.” These words linger like an echo from a battlefield I never chose but couldn’t avoid. The marks I carry aren’t from battles with others—no swords or fists left these scars.
Description The First Tread from “Had to Let Go” (Poem):“Philosophy of Trials” Life is not a gentle stream—it’s a forge, a crucible where the raw, unshaped essence of who we are is thrust into the flames. The trials and tribulations I’ve faced refined my soul like iron, stripping away the brittle edges and forging something
The Fifth Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Ignorance on Parade” “Palestine or Israel? None of thee of above, both governments are controlled opposition and isn’t hard to tell.” The question echoes everywhere—choose a side, pick your flag: Palestine or Israel? It’s a snare, a trap disguised as a choice,
The Third Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Those Painting the deceptive imagery From Behind the scene” “The deceptive art been displayed are painted by those with more money than Bill Gates behind the scenes painting narratives causing chaos and disarray.” Step back from the canvas of today’s turmoil—the Israel-Palestine
Soul Divided: James 1:8 on Israel-Palestine War The Second Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “spiritual division” Everyone around me are conflicted and torn apart between loving and hating the deceptive art displaying two nations going to war for a piece of land, they religiously and historically adore.” The air
The First Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Deceptive Art Unveiled: Ephesians 6:12 Explained” These current world events resemble a fine deceptive art on display.” Step into the gallery of today’s chaos—nations clashing, headlines screaming—and you’ll see a spectacle unfold. What we witness in the Israel-Palestine conflict, a struggle etched
Poem Dissected Threads Thread Thread 1 :Deceptive Art Unveiled : What Does Ephesians 6:12 Mean In Israel-Palestine Conflict ? Thread 2 : Deceptive Art Unveiled : Souls Divided over Israel – Palestine Thread 3 : Deceptive Art Unveiled : Those Painting the deceptive imagery From Behind the scene Thread 4 : Deceptive Art Unveiled :Ignorance On Parade Thread 5
The fourth Tread from “She Had To Go” (Poem):“The Triumph of the Few” Only a few men escaped her seductive barbarity.” The words hang heavy, a quiet monument to a victory so rare it borders on myth. Escape from her—lust draped in silk, her pulchritude a deadly snare—wasn’t a gift handed to the masses. It
The fourth Tread from “She Had To Go” (Poem):“The Taste of Memory” “Her blood touches my lips, reminiscing on the time when lust had its grip on me.” The slaughter was done, the blade of will had struck, and yet victory didn’t wipe the slate clean. Even in triumph, the residue lingers—a faint smear of
Description The Third Tread from “Had to Let Go” (Poem):“The Slaughter of Temptation” “I slaughtered lust in its flesh before it could seduce me.” The words cut as sharply as the act they describe—a visceral, deliberate strike against a force that once held me captive. There came a moment of reckoning, a crossroads where the
Description The Second Tread from “Had to Let Go” (Poem):“The Stain of Desire” All the bloodstains on me came from lustful desires in human form.” These words linger like an echo from a battlefield I never chose but couldn’t avoid. The marks I carry aren’t from battles with others—no swords or fists left these scars.
Description The First Tread from “Had to Let Go” (Poem):“Philosophy of Trials” Life is not a gentle stream—it’s a forge, a crucible where the raw, unshaped essence of who we are is thrust into the flames. The trials and tribulations I’ve faced refined my soul like iron, stripping away the brittle edges and forging something
This poem offers a contemplative glimpse into the poet’s mind as they engage in everyday activities. The poem begins with the poet reflecting deeply while eating a slice of pizza, contemplating their spiritual fate. They reject the idea of going to hell and express a preference for going to heaven, demonstrating reverence and seeking forgiveness for past disobedience.
The poem then shifts to a modern scene of scrolling on a mobile device, which leaves the poet feeling mentally numb and paralyzed. This contrast between spiritual contemplation and digital distraction highlights the poet’s struggle to balance the two.
In the midst of this mental chaos, the poet reaffirms their faith, declaring that their devotion to Allah will never lead them to commit acts of terror in the name of religion. They speak of women in heaven as a divine surprise, indicating their respect for the spiritual rewards promised by their faith.
The poem concludes with the poet seeking solitude, sipping grape juice and reflecting on life. This final image ties together the themes of contemplation, spirituality, and the search for personal peace amid the distractions of modern life.
The Fifth Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Ignorance on Parade” “Palestine or Israel? None of thee of above, both governments are controlled opposition and isn’t hard to tell.” The question echoes everywhere—choose a side, pick your flag: Palestine or Israel? It’s a snare, a trap disguised as a choice,
The Third Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Those Painting the deceptive imagery From Behind the scene” “The deceptive art been displayed are painted by those with more money than Bill Gates behind the scenes painting narratives causing chaos and disarray.” Step back from the canvas of today’s turmoil—the Israel-Palestine
Soul Divided: James 1:8 on Israel-Palestine War The Second Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “spiritual division” Everyone around me are conflicted and torn apart between loving and hating the deceptive art displaying two nations going to war for a piece of land, they religiously and historically adore.” The air
The First Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Deceptive Art Unveiled: Ephesians 6:12 Explained” These current world events resemble a fine deceptive art on display.” Step into the gallery of today’s chaos—nations clashing, headlines screaming—and you’ll see a spectacle unfold. What we witness in the Israel-Palestine conflict, a struggle etched
Poem Dissected Threads Thread Thread 1 :Deceptive Art Unveiled : What Does Ephesians 6:12 Mean In Israel-Palestine Conflict ? Thread 2 : Deceptive Art Unveiled : Souls Divided over Israel – Palestine Thread 3 : Deceptive Art Unveiled : Those Painting the deceptive imagery From Behind the scene Thread 4 : Deceptive Art Unveiled :Ignorance On Parade Thread 5
The fourth Tread from “She Had To Go” (Poem):“The Triumph of the Few” Only a few men escaped her seductive barbarity.” The words hang heavy, a quiet monument to a victory so rare it borders on myth. Escape from her—lust draped in silk, her pulchritude a deadly snare—wasn’t a gift handed to the masses. It
The fourth Tread from “She Had To Go” (Poem):“The Taste of Memory” “Her blood touches my lips, reminiscing on the time when lust had its grip on me.” The slaughter was done, the blade of will had struck, and yet victory didn’t wipe the slate clean. Even in triumph, the residue lingers—a faint smear of
Description The Third Tread from “Had to Let Go” (Poem):“The Slaughter of Temptation” “I slaughtered lust in its flesh before it could seduce me.” The words cut as sharply as the act they describe—a visceral, deliberate strike against a force that once held me captive. There came a moment of reckoning, a crossroads where the
Description The Second Tread from “Had to Let Go” (Poem):“The Stain of Desire” All the bloodstains on me came from lustful desires in human form.” These words linger like an echo from a battlefield I never chose but couldn’t avoid. The marks I carry aren’t from battles with others—no swords or fists left these scars.
Description The First Tread from “Had to Let Go” (Poem):“Philosophy of Trials” Life is not a gentle stream—it’s a forge, a crucible where the raw, unshaped essence of who we are is thrust into the flames. The trials and tribulations I’ve faced refined my soul like iron, stripping away the brittle edges and forging something
The cinematic portrayal of Malèna, in Giuseppe Tornatore’s 2000 film Malèna, serves as a profound allegory for the human condition, where beauty becomes both a divine gift and a crucible of existential isolation. Malèna, a woman of striking physical allure, navigates a Sicilian town steeped in patriarchal desire and judgment, her aura radiating a spiritual depth that transcends the superficial. Philosophically, her presence evokes Plato’s concept of the Ideal Form—beauty as a reflection of the divine, yet perpetually misunderstood by those bound to the material world. Her seashore solitude, as depicted in the film, mirrors the Stoic ideal of inner fortitude, where true strength lies in embracing one’s essence despite external clamor. Malèna’s beauty, like the poem’s “aura off the seashore,” invites us to question: Is beauty a bridge to the divine, or a veil that obscures the soul’s deeper truth?
The poem’s imagery of Malèna’s soul, trusted only by “a few friends and family,” and her body as “earthly dust,” resonates with the dualism of body and soul found in Augustine’s theology. Malèna knows her physical form is transient, a mere vessel subject to the lustful projections of others, yet her soul remains inviolable, a sacred enclave. This dichotomy mirrors the film’s portrayal of her as both idolized and ostracized, a paradox that echoes Heidegger’s concept of Geworfenheit—being “thrown” into a world that misunderstands one’s essence. Her choice to seek solace alone, “home all alone seeking solace,” aligns with the existentialist embrace of angst as a path to self-discovery. Malèna’s solitude is not mere withdrawal but a deliberate act of reclaiming her being, prompting us to ask: Is solitude the price of preserving one’s soul, or is it the only space where true communion with the divine occurs?
Ultimately, Malèna’s story, interwoven with the poem’s lyrical reverence, challenges us to confront the ephemeral nature of desire and the eternal quest for meaning. Her blush, yearned for by men “dying of lust,” symbolizes the fleeting nature of earthly passions, which crumble like dust against the timelessness of her spiritual allure. This evokes Spinoza’s pantheistic view of God as immanent in all things—Malèna’s beauty is not hers alone but a manifestation of the universal divine, misunderstood by those who see only the surface. Her journey, like the poem’s speaker observing her mind “like a wristwatch,” suggests a temporal struggle to grasp the eternal within the finite. Philosophically, Malèna becomes a cipher for the human soul’s paradox: to be seen yet unseen, to be desired yet unknowable. In her, we glimpse the eternal question: How do we reconcile the world’s gaze with the soul’s silent truth?
LifeandTimelessart 