

Dissected Threads
Tread One :
Unveiling Authenticity: A Philosophical Analysis of ‘Flannel and Cherubim Fabrics’

The Fifth Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Ignorance on Parade” “Palestine or Israel? None of thee of above, both governments are controlled opposition and isn’t hard to tell.” The question echoes everywhere—choose a side, pick your flag: Palestine or Israel? It’s a snare, a trap disguised as a choice,

The Third Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Those Painting the deceptive imagery From Behind the scene” “The deceptive art been displayed are painted by those with more money than Bill Gates behind the scenes painting narratives causing chaos and disarray.” Step back from the canvas of today’s turmoil—the Israel-Palestine

Soul Divided: James 1:8 on Israel-Palestine War The Second Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “spiritual division” Everyone around me are conflicted and torn apart between loving and hating the deceptive art displaying two nations going to war for a piece of land, they religiously and historically adore.” The air

The First Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Deceptive Art Unveiled: Ephesians 6:12 Explained” These current world events resemble a fine deceptive art on display.” Step into the gallery of today’s chaos—nations clashing, headlines screaming—and you’ll see a spectacle unfold. What we witness in the Israel-Palestine conflict, a struggle etched

Poem Dissected Threads Thread Thread 1 :Deceptive Art Unveiled : What Does Ephesians 6:12 Mean In Israel-Palestine Conflict ? Thread 2 : Deceptive Art Unveiled : Souls Divided over Israel – Palestine Thread 3 : Deceptive Art Unveiled : Those Painting the deceptive imagery From Behind the scene Thread 4 : Deceptive Art Unveiled :Ignorance On Parade Thread 5

The fourth Tread from “She Had To Go” (Poem):“The Triumph of the Few” Only a few men escaped her seductive barbarity.” The words hang heavy, a quiet monument to a victory so rare it borders on myth. Escape from her—lust draped in silk, her pulchritude a deadly snare—wasn’t a gift handed to the masses. It

The fourth Tread from “She Had To Go” (Poem):“The Taste of Memory” “Her blood touches my lips, reminiscing on the time when lust had its grip on me.” The slaughter was done, the blade of will had struck, and yet victory didn’t wipe the slate clean. Even in triumph, the residue lingers—a faint smear of

Description The Third Tread from “Had to Let Go” (Poem):“The Slaughter of Temptation” “I slaughtered lust in its flesh before it could seduce me.” The words cut as sharply as the act they describe—a visceral, deliberate strike against a force that once held me captive. There came a moment of reckoning, a crossroads where the

Description The Second Tread from “Had to Let Go” (Poem):“The Stain of Desire” All the bloodstains on me came from lustful desires in human form.” These words linger like an echo from a battlefield I never chose but couldn’t avoid. The marks I carry aren’t from battles with others—no swords or fists left these scars.

Description The First Tread from “Had to Let Go” (Poem):“Philosophy of Trials” Life is not a gentle stream—it’s a forge, a crucible where the raw, unshaped essence of who we are is thrust into the flames. The trials and tribulations I’ve faced refined my soul like iron, stripping away the brittle edges and forging something


Dissected Threads
Tread One :
Unveiling Authenticity: A Philosophical Analysis of ‘Flannel and Cherubim Fabrics’

The Fifth Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Ignorance on Parade” “Palestine or Israel? None of thee of above, both governments are controlled opposition and isn’t hard to tell.” The question echoes everywhere—choose a side, pick your flag: Palestine or Israel? It’s a snare, a trap disguised as a choice,

The Third Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Those Painting the deceptive imagery From Behind the scene” “The deceptive art been displayed are painted by those with more money than Bill Gates behind the scenes painting narratives causing chaos and disarray.” Step back from the canvas of today’s turmoil—the Israel-Palestine

Soul Divided: James 1:8 on Israel-Palestine War The Second Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “spiritual division” Everyone around me are conflicted and torn apart between loving and hating the deceptive art displaying two nations going to war for a piece of land, they religiously and historically adore.” The air

The First Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Deceptive Art Unveiled: Ephesians 6:12 Explained” These current world events resemble a fine deceptive art on display.” Step into the gallery of today’s chaos—nations clashing, headlines screaming—and you’ll see a spectacle unfold. What we witness in the Israel-Palestine conflict, a struggle etched

Poem Dissected Threads Thread Thread 1 :Deceptive Art Unveiled : What Does Ephesians 6:12 Mean In Israel-Palestine Conflict ? Thread 2 : Deceptive Art Unveiled : Souls Divided over Israel – Palestine Thread 3 : Deceptive Art Unveiled : Those Painting the deceptive imagery From Behind the scene Thread 4 : Deceptive Art Unveiled :Ignorance On Parade Thread 5

The fourth Tread from “She Had To Go” (Poem):“The Triumph of the Few” Only a few men escaped her seductive barbarity.” The words hang heavy, a quiet monument to a victory so rare it borders on myth. Escape from her—lust draped in silk, her pulchritude a deadly snare—wasn’t a gift handed to the masses. It

The fourth Tread from “She Had To Go” (Poem):“The Taste of Memory” “Her blood touches my lips, reminiscing on the time when lust had its grip on me.” The slaughter was done, the blade of will had struck, and yet victory didn’t wipe the slate clean. Even in triumph, the residue lingers—a faint smear of

Description The Third Tread from “Had to Let Go” (Poem):“The Slaughter of Temptation” “I slaughtered lust in its flesh before it could seduce me.” The words cut as sharply as the act they describe—a visceral, deliberate strike against a force that once held me captive. There came a moment of reckoning, a crossroads where the

Description The Second Tread from “Had to Let Go” (Poem):“The Stain of Desire” All the bloodstains on me came from lustful desires in human form.” These words linger like an echo from a battlefield I never chose but couldn’t avoid. The marks I carry aren’t from battles with others—no swords or fists left these scars.

Description The First Tread from “Had to Let Go” (Poem):“Philosophy of Trials” Life is not a gentle stream—it’s a forge, a crucible where the raw, unshaped essence of who we are is thrust into the flames. The trials and tribulations I’ve faced refined my soul like iron, stripping away the brittle edges and forging something
The poem Scorched …(Poem) is a visceral exploration of sin, redemption, and the transformative power of self-awareness and creative expression. Through its fiery imagery and intense emotional cadence, it grapples with the human condition—our propensity for error, the weight of guilt, and the hope for transcendence. Philosophically, it engages with existential questions of agency, suffering, and the search for meaning. Biblically, it resonates with themes of fallenness, divine judgment, and the redemptive potential of grace and perseverance. Below, I analyze the poem’s key elements and their philosophical and biblical implications.
1. The Scorched Pen: Writing as Confession and Catharsis
The opening line, “Each word scorches my pen,” sets a tone of intense, almost painful self-expression. The act of writing is depicted as both a burden and a necessity, burning the speaker as they confront their “wicked ways.” Philosophically, this aligns with existentialist thought, particularly Jean-Paul Sartre’s notion of radical freedom and responsibility. The speaker is compelled to face their choices and their consequences, with the pen serving as a tool of self-examination. Writing becomes an act of confronting the authentic self, no matter how painful.
Biblically, the scorched pen evokes the idea of confession as a purifying act. In Psalm 51:3, David laments, “For I know my transgressions, and my sin is always before me.” The speaker’s act of writing mirrors this acknowledgment of sin, a necessary step toward repentance. The “scorched” quality suggests divine judgment, as fire often symbolizes God’s purifying presence in scripture (e.g., Malachi 3:2–3, where God is likened to a refiner’s fire). Yet, the scorching is not merely destructive; it is transformative, enabling the speaker to process and potentially transcend their guilt.
2. Fallen Angels and Sinful Descent
The imagery of “fallen angels” descending “from heaven, seeking sinister ways to repent” introduces a complex interplay of rebellion and remorse. Philosophically, this evokes the tension between free will and moral failure. The fallen angels, traditionally symbols of pride and defiance (as in Lucifer’s rebellion), are here depicted as seeking repentance, suggesting a paradoxical desire for redemption even in their fallen state. This aligns with Albert Camus’ concept of the absurd—living in a state of contradiction between one’s desires (redemption) and reality (sinfulness). The angels’ “sinister” repentance implies a flawed or insincere attempt at atonement, reflecting the human struggle to overcome deeply ingrained flaws.
Biblically, the fallen angels recall the narrative of Satan and his followers cast out of heaven (Revelation 12:9). However, their attempt to “repent” introduces a twist, as scripture typically portrays fallen angels as irredeemable. This could symbolize the human soul, which, unlike angels, retains the capacity for repentance. The “sinister” nature of their repentance might reflect the deceptive self-justification warned against in Jeremiah 17:9: “The heart is deceitful above all things and beyond cure.” The speaker acknowledges their complicity in sin, yet their awareness hints at the possibility of genuine repentance, a hallmark of biblical salvation narratives.
3. The Oath as a Mark of Sin
The “oath tattooed on my face, formed like lightning” is a striking image of indelible guilt. The tattoo suggests a permanent mark, akin to the philosophical concept of the “thrownness” of existence (Heidegger’s Geworfenheit), where individuals are cast into circumstances they did not choose yet must navigate. The oath, “formed like lightning,” implies a sudden, divine, or self-imposed commitment that carries grave consequences. Its visibility on the face underscores the public nature of shame, resonating with existentialist themes of living authentically under the gaze of others.
Biblically, the tattooed oath recalls the mark of Cain (Genesis 4:15), a divine sign that both protects and condemns. Lightning, often associated with God’s power and judgment (Exodus 19:16), suggests that the oath is tied to a moment of divine or moral reckoning. The speaker’s “grimy and driven” pen, likened to a “scorcher,” indicates a fierce determination to confront this mark, paralleling the biblical call to wrestle with one’s sin. Romans 7:15–20, where Paul describes the struggle between the desire to do good and the reality of sin, resonates here—the speaker is caught in a cycle of guilt but driven to overcome it.
4. The Sandpit: Suffering and Despair
The consequence of the oath “drowns me into a sandpit, feeling frightened,” evoking a sense of entrapment and existential dread. Philosophically, the sandpit can be seen as a metaphor for angst—the paralyzing anxiety of confronting one’s freedom and limitations, as described by Kierkegaard. The speaker is overwhelmed, sinking under the weight of their choices, yet their fear suggests a heightened awareness of their predicament, a precursor to growth.
Biblically, the sandpit recalls Psalm 40:2, where David speaks of being lifted from a “slimy pit.” The imagery of drowning in sand evokes both physical and spiritual suffocation, akin to the consequences of sin described in Romans 6:23: “The wages of sin is death.” The speaker’s fear reflects the terror of divine judgment but also the human capacity for self-awareness, a prerequisite for seeking God’s mercy. The sandpit is both a place of despair and a crucible for transformation.
5. Rising as a Writing Titan: Redemption Through Passion
The poem concludes with a triumphant declaration: “But I know I will rise above it, and be writing titan, scorching the oath off my skin with passion.” This shift from despair to empowerment is philosophically significant, embodying Nietzsche’s concept of the Übermensch—the individual who creates meaning through sheer will and creativity. The speaker transforms their suffering into art, using passion to transcend their guilt. The “writing titan” suggests a godlike creative force, reclaiming agency over their narrative.
Biblically, this imagery aligns with the redemptive arc of scripture. The act of “scorching the oath off my skin” evokes the cleansing power of God’s grace, as seen in Isaiah 1:18: “Though your sins are like scarlet, they shall be as white as snow.” The speaker’s passion mirrors the zeal of the redeemed, who, through faith and perseverance, overcome their sinful nature (Revelation 3:21). The titan imagery, while rooted in Greek mythology, can be reconciled with biblical themes as a symbol…

The Fifth Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Ignorance on Parade” “Palestine or Israel? None of thee of above, both governments are controlled opposition and isn’t hard to tell.” The question echoes everywhere—choose a side, pick your flag: Palestine or Israel? It’s a snare, a trap disguised as a choice,

The Third Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Those Painting the deceptive imagery From Behind the scene” “The deceptive art been displayed are painted by those with more money than Bill Gates behind the scenes painting narratives causing chaos and disarray.” Step back from the canvas of today’s turmoil—the Israel-Palestine

Soul Divided: James 1:8 on Israel-Palestine War The Second Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “spiritual division” Everyone around me are conflicted and torn apart between loving and hating the deceptive art displaying two nations going to war for a piece of land, they religiously and historically adore.” The air

The First Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Deceptive Art Unveiled: Ephesians 6:12 Explained” These current world events resemble a fine deceptive art on display.” Step into the gallery of today’s chaos—nations clashing, headlines screaming—and you’ll see a spectacle unfold. What we witness in the Israel-Palestine conflict, a struggle etched

Poem Dissected Threads Thread Thread 1 :Deceptive Art Unveiled : What Does Ephesians 6:12 Mean In Israel-Palestine Conflict ? Thread 2 : Deceptive Art Unveiled : Souls Divided over Israel – Palestine Thread 3 : Deceptive Art Unveiled : Those Painting the deceptive imagery From Behind the scene Thread 4 : Deceptive Art Unveiled :Ignorance On Parade Thread 5

The fourth Tread from “She Had To Go” (Poem):“The Triumph of the Few” Only a few men escaped her seductive barbarity.” The words hang heavy, a quiet monument to a victory so rare it borders on myth. Escape from her—lust draped in silk, her pulchritude a deadly snare—wasn’t a gift handed to the masses. It

The fourth Tread from “She Had To Go” (Poem):“The Taste of Memory” “Her blood touches my lips, reminiscing on the time when lust had its grip on me.” The slaughter was done, the blade of will had struck, and yet victory didn’t wipe the slate clean. Even in triumph, the residue lingers—a faint smear of

Description The Third Tread from “Had to Let Go” (Poem):“The Slaughter of Temptation” “I slaughtered lust in its flesh before it could seduce me.” The words cut as sharply as the act they describe—a visceral, deliberate strike against a force that once held me captive. There came a moment of reckoning, a crossroads where the

Description The Second Tread from “Had to Let Go” (Poem):“The Stain of Desire” All the bloodstains on me came from lustful desires in human form.” These words linger like an echo from a battlefield I never chose but couldn’t avoid. The marks I carry aren’t from battles with others—no swords or fists left these scars.

Description The First Tread from “Had to Let Go” (Poem):“Philosophy of Trials” Life is not a gentle stream—it’s a forge, a crucible where the raw, unshaped essence of who we are is thrust into the flames. The trials and tribulations I’ve faced refined my soul like iron, stripping away the brittle edges and forging something
Dissected Threads
Tread One : Scorched Poem: Exploring Sin and Redemption Through Bible Themes and Passion…(Blog)
Thread Two : Scorched by The Penmanship And Sins (Dissect video) – LifeandTimelessart

The Fifth Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Ignorance on Parade” “Palestine or Israel? None of thee of above, both governments are controlled opposition and isn’t hard to tell.” The question echoes everywhere—choose a side, pick your flag: Palestine or Israel? It’s a snare, a trap disguised as a choice,

The Third Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Those Painting the deceptive imagery From Behind the scene” “The deceptive art been displayed are painted by those with more money than Bill Gates behind the scenes painting narratives causing chaos and disarray.” Step back from the canvas of today’s turmoil—the Israel-Palestine

Soul Divided: James 1:8 on Israel-Palestine War The Second Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “spiritual division” Everyone around me are conflicted and torn apart between loving and hating the deceptive art displaying two nations going to war for a piece of land, they religiously and historically adore.” The air

The First Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Deceptive Art Unveiled: Ephesians 6:12 Explained” These current world events resemble a fine deceptive art on display.” Step into the gallery of today’s chaos—nations clashing, headlines screaming—and you’ll see a spectacle unfold. What we witness in the Israel-Palestine conflict, a struggle etched

Poem Dissected Threads Thread Thread 1 :Deceptive Art Unveiled : What Does Ephesians 6:12 Mean In Israel-Palestine Conflict ? Thread 2 : Deceptive Art Unveiled : Souls Divided over Israel – Palestine Thread 3 : Deceptive Art Unveiled : Those Painting the deceptive imagery From Behind the scene Thread 4 : Deceptive Art Unveiled :Ignorance On Parade Thread 5

The fourth Tread from “She Had To Go” (Poem):“The Triumph of the Few” Only a few men escaped her seductive barbarity.” The words hang heavy, a quiet monument to a victory so rare it borders on myth. Escape from her—lust draped in silk, her pulchritude a deadly snare—wasn’t a gift handed to the masses. It

The fourth Tread from “She Had To Go” (Poem):“The Taste of Memory” “Her blood touches my lips, reminiscing on the time when lust had its grip on me.” The slaughter was done, the blade of will had struck, and yet victory didn’t wipe the slate clean. Even in triumph, the residue lingers—a faint smear of

Description The Third Tread from “Had to Let Go” (Poem):“The Slaughter of Temptation” “I slaughtered lust in its flesh before it could seduce me.” The words cut as sharply as the act they describe—a visceral, deliberate strike against a force that once held me captive. There came a moment of reckoning, a crossroads where the

Description The Second Tread from “Had to Let Go” (Poem):“The Stain of Desire” All the bloodstains on me came from lustful desires in human form.” These words linger like an echo from a battlefield I never chose but couldn’t avoid. The marks I carry aren’t from battles with others—no swords or fists left these scars.

Description The First Tread from “Had to Let Go” (Poem):“Philosophy of Trials” Life is not a gentle stream—it’s a forge, a crucible where the raw, unshaped essence of who we are is thrust into the flames. The trials and tribulations I’ve faced refined my soul like iron, stripping away the brittle edges and forging something
The human heart is a paradox—a fragile yet resilient tapestry woven with threads of light and shadow. In a poignant poem that confesses, “I love breaking hearts,” we encounter a voice grappling with pride, darkness, and the transformative power of divine grace. Central to this narrative is the imagery of “threads of velour,” a soft, luxurious fabric that symbolizes vulnerability, redemption, and the gentle touch of the divine. This article explores velour symbolism in poetry, tracing the speaker’s journey from a heart hardened by pride to one radiant with eternal splendour, and what it reveals about spiritual redemption and human transformation.
The Dark Stitches of Pride: A Heart Sewn in Shadows
The poem opens with a bold declaration: “I love breaking hearts.” This isn’t merely a boast but a reflection of power—a desire to control others’ vulnerabilities in a chaotic world. The speaker’s heart, “sewn in the dark with a fallen angel’s thread and demonic needles,” is a creation born of rebellion. The “fallen angel” evokes pride, the sin that led to celestial downfall, while “demonic needles” suggest pain and defiance. This imagery paints a heart that is “unreachable and untouchable,” armored against connection.
Yet, a flicker of potential emerges: “I am not electrifying, but I spark in the dark.” This spark hints at latent energy, a possibility for illumination amidst the shadows. The tension between destruction and creation sets the stage for the poem’s exploration of heart transformation, where velour symbolism will later play a pivotal role.
The Weight of Pride: A Deceptive Ambition
The speaker’s introspection deepens with a provocative question: “Do I really want to resemble Allah, being deceptive at all times?” This line confronts the allure of godlike power through manipulation. In Islamic theology, Allah embodies truth, free from deceit. The speaker’s ambition to mimic divine authority reveals pride’s deceptive grip, a theme central to spiritual redemption.
The poem offers wisdom: “Words from the wise: better kill your pride before this life pulls you under like quicksand.” Pride, likened to quicksand, engulfs slowly, trapping us in isolation. This metaphor resonates with readers seeking insights into pride and humility, marking a turning point where the speaker’s hardened heart begins to soften, setting the stage for velour’s transformative role.
Velour Symbolism: The Divine Thread of Grace
At the poem’s heart lies a powerful shift: “My heart’s hard like titanium alloy, but the Lord has woven my heart with threads of velour.” Titanium alloy, unyielding and resistant, symbolizes a heart fortified against vulnerability. In contrast, velour—a soft, plush fabric—represents divine grace and emotional openness. Velour symbolism in poetry evokes luxury not in a material sense but as a spiritual wealth, a tender reweaving of the soul.
The act of weaving velour into the speaker’s heart is intimate and deliberate, suggesting a patient divine intervention. Unlike the coarse “fallen angel’s thread,” velour is warm and inviting, radiating “through my soul.” This transformation dissolves the darkness, replacing it with “eternal splendour.” Velour becomes a metaphor for vulnerability as strength, a key theme in heart transformation poetry.
The Universal Journey: From Darkness to Splendour
The poem’s narrative mirrors the human condition—a struggle between our darker impulses and the call to redemption. The “fallen angel’s thread” represents wounds like pride or trauma, while “threads of velour” symbolize healing through surrender. Velour symbolism in poetry offers a universal lens for understanding transformation, whether through faith, love, or self-awareness.
The “eternal splendour” that emerges is a radiant light born of a softened heart. Velour, with its reflective surface, becomes the medium for this light, symbolizing the soul’s capacity to reflect grace. This resonates with readers exploring spiritual redemption, as the poem suggests no heart is too hard to be touched, no darkness too deep to be illuminated.
Conclusion: A Heart Rewoven with Velour
The poem’s journey from a heart that breaks others to one woven with velour is a testament to the power of vulnerability. Velour symbolism in poetry captures the gentle, transformative touch of divine grace, unravelling pride to reveal eternal splendour. For readers, it’s a reminder that our hearts, though stitched with shadows, can be rewoven with light.

The Fifth Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Ignorance on Parade” “Palestine or Israel? None of thee of above, both governments are controlled opposition and isn’t hard to tell.” The question echoes everywhere—choose a side, pick your flag: Palestine or Israel? It’s a snare, a trap disguised as a choice,

The Third Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Those Painting the deceptive imagery From Behind the scene” “The deceptive art been displayed are painted by those with more money than Bill Gates behind the scenes painting narratives causing chaos and disarray.” Step back from the canvas of today’s turmoil—the Israel-Palestine

Soul Divided: James 1:8 on Israel-Palestine War The Second Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “spiritual division” Everyone around me are conflicted and torn apart between loving and hating the deceptive art displaying two nations going to war for a piece of land, they religiously and historically adore.” The air

The First Tread from “Deceptive Art Of War : Israel – Palestine (Poem)”:is “Deceptive Art Unveiled: Ephesians 6:12 Explained” These current world events resemble a fine deceptive art on display.” Step into the gallery of today’s chaos—nations clashing, headlines screaming—and you’ll see a spectacle unfold. What we witness in the Israel-Palestine conflict, a struggle etched

Poem Dissected Threads Thread Thread 1 :Deceptive Art Unveiled : What Does Ephesians 6:12 Mean In Israel-Palestine Conflict ? Thread 2 : Deceptive Art Unveiled : Souls Divided over Israel – Palestine Thread 3 : Deceptive Art Unveiled : Those Painting the deceptive imagery From Behind the scene Thread 4 : Deceptive Art Unveiled :Ignorance On Parade Thread 5

The fourth Tread from “She Had To Go” (Poem):“The Triumph of the Few” Only a few men escaped her seductive barbarity.” The words hang heavy, a quiet monument to a victory so rare it borders on myth. Escape from her—lust draped in silk, her pulchritude a deadly snare—wasn’t a gift handed to the masses. It

The fourth Tread from “She Had To Go” (Poem):“The Taste of Memory” “Her blood touches my lips, reminiscing on the time when lust had its grip on me.” The slaughter was done, the blade of will had struck, and yet victory didn’t wipe the slate clean. Even in triumph, the residue lingers—a faint smear of

Description The Third Tread from “Had to Let Go” (Poem):“The Slaughter of Temptation” “I slaughtered lust in its flesh before it could seduce me.” The words cut as sharply as the act they describe—a visceral, deliberate strike against a force that once held me captive. There came a moment of reckoning, a crossroads where the

Description The Second Tread from “Had to Let Go” (Poem):“The Stain of Desire” All the bloodstains on me came from lustful desires in human form.” These words linger like an echo from a battlefield I never chose but couldn’t avoid. The marks I carry aren’t from battles with others—no swords or fists left these scars.

Description The First Tread from “Had to Let Go” (Poem):“Philosophy of Trials” Life is not a gentle stream—it’s a forge, a crucible where the raw, unshaped essence of who we are is thrust into the flames. The trials and tribulations I’ve faced refined my soul like iron, stripping away the brittle edges and forging something

Dissected Threads
Tread One : Threads of Velour: The Symbolism of Heart Transformation in Poetry.(Blog)